{"id":11803,"date":"2014-06-18T00:40:12","date_gmt":"2014-06-17T22:40:12","guid":{"rendered":"http:\/\/www.altcountry.nl\/blog\/?p=11803"},"modified":"2014-06-18T00:40:57","modified_gmt":"2014-06-17T22:40:57","slug":"amanda-pearcy","status":"publish","type":"post","link":"https:\/\/www.altcountry.nl\/blog\/2014\/06\/amanda-pearcy\/","title":{"rendered":"Amanda Pearcy"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/i0.wp.com\/ecx.images-amazon.com\/images\/I\/51wU1GD1qFL._SL500_AA280_.jpg?resize=125%2C125\" alt=\"\" width=\"125\" height=\"125\" \/>Na het wat stijfjes gezongen <em>Bring You Home<\/em> is het goed dat <a href=\"http:\/\/amandapearcy.com\/\" target=\"_blank\">Amanda Pearcy<\/a> op het tweede nummer south of the border gaat. De viool van Tim Lorsch wijst haar losjes de weg op <em>Barking Dogs<\/em>, zodat ze in Mexico haar liefdesverdriet kan verwerken. Op het titelnummer <strong>Royal Street<\/strong> (CRS\/Munich) reist de Texaanse naar New Orleans. Ook het trage, lichtelijk jazzy <em>Better On My Own<\/em> valt daar te situeren. Pearcy zingt een beetje lijzig. Dat kan spannend zijn, maar is bij haar niet echt het geval. Kwestie van smaak wellicht. De begeleiding is<!--more--> in ieder geval in orde. Zo zouden de begintonen van <em>Nickel In The Vase<\/em> van een plaat van Sam Baker kunnen komen, wat alles te maken heeft met de productie van Lorsch.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Na het wat stijfjes gezongen Bring You Home is het goed dat Amanda Pearcy op het tweede nummer south of the border gaat. De viool van Tim Lorsch wijst haar losjes de weg op Barking Dogs, zodat ze in Mexico haar liefdesverdriet kan verwerken. Op het titelnummer Royal Street (CRS\/Munich) reist de Texaanse naar New [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-11803","post","type-post","status-publish","format-standard","hentry","category-recensies"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts\/11803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/comments?post=11803"}],"version-history":[{"count":3,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts\/11803\/revisions"}],"predecessor-version":[{"id":11806,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts\/11803\/revisions\/11806"}],"wp:attachment":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/media?parent=11803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/categories?post=11803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/tags?post=11803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}