{"id":13489,"date":"2015-02-03T01:04:53","date_gmt":"2015-02-03T00:04:53","guid":{"rendered":"http:\/\/www.altcountry.nl\/blog\/?p=13489"},"modified":"2015-02-03T01:05:15","modified_gmt":"2015-02-03T00:05:15","slug":"cody-beebe-the-crooks","status":"publish","type":"post","link":"https:\/\/www.altcountry.nl\/blog\/2015\/02\/cody-beebe-the-crooks\/","title":{"rendered":"Cody Beebe &#038; the Crooks"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/i0.wp.com\/images.cdbaby.name\/c\/o\/codybeebethecrooks.jpg?resize=125%2C125\" alt=\"\" width=\"125\" height=\"125\" \/>Op <strong>Out Here<\/strong> (eigen beheer) van <a href=\"http:\/\/codybeebeandthecrooks.com\/\" target=\"_blank\">Cody Beebe &amp; the Crooks<\/a> komen southern rock en heartland rock samen. Daar blijft het niet bij. De band komt uit Seattle, Washington, en dat blijkt wel op <em>Never Too Young<\/em>, dat qua tempo helemaal Pearl Jam volgt. Geen wonder, het album werd opgenomen in de London Bridge Studio in Seattle, de plek waar de grungeband werkte aan het klassieke album<em> Ten<\/em>. <em>Circle<\/em> klinkt als Pearl Jam met steelgitaar. <em>Dangerous<\/em> begint door de toevoeging van blazers bijna als ska, maar daarna draait het nummer naar <!--more-->witte soul. <em>Out Here<\/em> is van hetzelfde laken een pak. Halverwege neemt de band gas terug voor romantisch pianospel. Funky met een stoere beat is <em>I&#8217;ll Get Mine<\/em>, terwijl de roffelende drums <em>Anvil<\/em> naar een bijna cabareteske sfeer brengen. Al met al een degelijke rockplaat.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Op Out Here (eigen beheer) van Cody Beebe &amp; the Crooks komen southern rock en heartland rock samen. Daar blijft het niet bij. De band komt uit Seattle, Washington, en dat blijkt wel op Never Too Young, dat qua tempo helemaal Pearl Jam volgt. Geen wonder, het album werd opgenomen in de London Bridge Studio [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-13489","post","type-post","status-publish","format-standard","hentry","category-recensies"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts\/13489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/comments?post=13489"}],"version-history":[{"count":2,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts\/13489\/revisions"}],"predecessor-version":[{"id":13491,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts\/13489\/revisions\/13491"}],"wp:attachment":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/media?parent=13489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/categories?post=13489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/tags?post=13489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}