{"id":17459,"date":"2016-05-22T14:55:09","date_gmt":"2016-05-22T12:55:09","guid":{"rendered":"http:\/\/www.altcountry.nl\/blog\/?p=17459"},"modified":"2016-05-22T14:55:29","modified_gmt":"2016-05-22T12:55:29","slug":"blackfoot-gypsies","status":"publish","type":"post","link":"https:\/\/www.altcountry.nl\/blog\/2016\/05\/blackfoot-gypsies\/","title":{"rendered":"Blackfoot Gypsies"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"http:\/\/a1.mzstatic.com\/eu\/r30\/Music5\/v4\/0f\/76\/3f\/0f763f8b-f0af-3011-51e3-af262568c7d6\/cover170x170.jpeg\" width=\"125\" height=\"125\" \/>Lekker plaatje uit Nashville. Geen country, maar garagerock. <strong>Handle It<\/strong> (Plowboy Records) van <a href=\"http:\/\/www.blackfootgypsies.com\" target=\"_blank\">Blackfoot Gypsies<\/a> begint met <em>Scream My Name<\/em> lekker losjes als Deer Tick. Met <em>Under My Skin<\/em> worden we getrakteerd op punkblues van de backporch. Rocken en rammelen. <em>Too Bad<\/em> voegt daar soulzang aan toe. Het is dus meer Memphis dan Nashville. Een fiddle voert de mannen door de stad op <em>Spent All My Money<\/em>. Op <em>In Your Mind<\/em> staan de gitaren rauwdauwerig in standje Go To Blazes, waarna <em>Dead On The Road<\/em> met een cajunbeat klinkt als rock-\u2019n-roll uit <!--more-->Louisiana. <em>Snake Charmer<\/em> heeft een snelle beat en mondharmonicastootjes en er wordt lekker geschreeuwd. De scherpe en rauwe zangstem van Matthew Paige draagt zeker bij aan de geloofwaardigheid van dit alles. Op afsluiter <em>Call Me After Midnight<\/em> klinken Blackfoot Gypsies soulful als Black Crowes in de begindagen.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Lekker plaatje uit Nashville. Geen country, maar garagerock. Handle It (Plowboy Records) van Blackfoot Gypsies begint met Scream My Name lekker losjes als Deer Tick. Met Under My Skin worden we getrakteerd op punkblues van de backporch. Rocken en rammelen. Too Bad voegt daar soulzang aan toe. Het is dus meer Memphis dan Nashville. Een [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-17459","post","type-post","status-publish","format-standard","hentry","category-recensies"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts\/17459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/comments?post=17459"}],"version-history":[{"count":2,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts\/17459\/revisions"}],"predecessor-version":[{"id":17461,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/posts\/17459\/revisions\/17461"}],"wp:attachment":[{"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/media?parent=17459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/categories?post=17459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.altcountry.nl\/blog\/wp-json\/wp\/v2\/tags?post=17459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}